Finance (No. 2) Bill


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Ed Balls: Returning for a moment to film, I turn to part 1 to set out some more detail which I hope will help all hon. Members, particularly the hon. Member for Birmingham, Yardley (John Hemming). He is asking the same series of questions and I fear that I am giving the same answer, so if I put the answer in a broader context that may help the Committee to understand both my answers and his interventions.
Part 1 implements our announcement in the pre-Budget report that a British film starting principal photography on or after 1 April 2006 and meeting the conditions that we set out, is entitled to film tax relief, which is given as an additional deduction in computing its profits—the amount of which deduction, as debated earlier, is defined in paragraph 4—and possibly as a payable tax credit as set out in paragraphs 6 and 7. The amount of the deduction is based on the actual UK spending subject to a cap of 80 per cent. of the production company’s spending. That cap, as we have discussed, is needed to meet European Commission state aid rules requiring that it must be possible to spend at least 20 per cent. of the film’s budget elsewhere in the EU without loss of relief. As also discussed, we reduced that requirement from 40 per cent. at an early stage.
Paragraph 4(3) would allow the Treasury to amend the 80 per cent. limit so that any future changes in state aid rules could be accommodated, but at this stage we do not envisage complications in state aid clearance. The additional deduction is defined in paragraph 4 as the result of that threshold multiplied by the appropriate rate—100 per cent. for a limited-budget film and 80 per cent. for a large-budget film. That additional deduction will alter the overall profit or loss previously calculated according to schedule 4, which we debated earlier. If the results of the calculation place a company in loss, paragraph 6 will allow some of the loss to be surrendered for a payable tax credit. The amount that can be surrendered is capped at the same threshold amount as I mentioned a few moments ago—the actual UK spend up to 80 per cent. of the total spend. It is not limited to the amount of the additional deduction. That is the position in the first period of account, which in the case of most films will be the only period.
Once the amount of loss to be surrendered has been determined—a company need not surrender the maximum amount but can instead retain losses to set against future income from the film, which might be more advantageous—it is multiplied by the appropriate credit rate as set out in paragraph 8 to determine the actual payable credit. Again the credit is higher for a limited-budget film than for a large-budget film. Were the losses instead to be retained and set against film incomes, taxed at 30 per cent., the losses would of course be worth slightly more. Whether to do that is of course a company’s choice. Once the amount of payable credit has been determined and a claim made, paragraph 9 requires Her Majesty’s Revenue and Customs to pay it to the company, although there are protective provisions in that paragraph to deal with circumstances where the company owes money to HMRC or its tax return is being inquired into.
Paragraph 10 makes it clear that the payment of tax credit is not itself taxable. Paragraphs 12 and 13 are aimed at preventing the inflation of film tax relief. Paragraph 12 addresses circumstances where a payment is deferred. While we accept that deferred payments are a legitimate practice in the film industry, we do not accept that the film tax relief should be based on payments that have not yet been made. When they are made they can be included. Paragraph 13 is a more general measure aimed at attempts to inflate the amount of film tax relief. It is along the same lines as other rules, such as those on the R and D tax credit in paragraph 21 of schedule 20 to the Finance Act 2000, and targets arrangements the sole or main purpose of which is to obtain or inflate the amount of film tax credit. That does not include ordinary transactions that would in any case be undertaken in making a film, such as establishing a film production company in the first place. We do not want to get in the way of such transactions, but as we have said, we will not accept amendments that abuse the new system.
I hope that that detail makes things clearer to the hon. Member for Birmingham, Yardley. As I said, a film is typically made by a film production company under a contract. If that contract results in the film production company making a loss, the tax credit may be payable, but the film may be profitable to whoever commissioned it.
Question put and agreed to.
Schedule 5, as amended, agreed to.
Clauses 43 and 44 ordered to stand part of the Bill.

Clause 45

Films: terminal losses
Mrs. Villiers: I beg to move amendment No. 36, in page 33, line 21 [Vol I], leave out ‘qualifying'.
The Chairman: With this it will be convenient to discuss the following amendments: No. 37, in page 33, line 26 [Vol I], leave out ‘qualifying'.
No. 38, in page 33, line 32 [Vol I], leave out first ‘qualifying'.
No. 39, in page 34, line 6 [Vol I], leave out from ‘Schedule 4' to end of line 8.
Mrs. Villiers: The clause concerns terminal losses. When a film production company making a film that qualifies for tax relief ceases trading, the clause will allow its losses to be transferred to another, similar trade of the same company or within the same group. At present, clause 45 relief for terminal losses on the cessation of activity on a film is limited to films qualifying for the enhanced tax credit. Amendments Nos. 36 to 39 would remove that restriction. They are probing amendments so that we can discover the Government’s motivation for providing relief only for certain films. Will the Minister outline his reasons for the proposed restrictions? The amendments would provide that terminal loss relief could be claimed on all films, not only those that qualify for enhanced tax credit. I can see no good reason for the Bill to restrict terminal loss in such a way.
My second point relates to the losses generated by enhanced deductions when they can be surrendered intra-group when the film is completed or has been abandoned. The possibility of surrendering them intra-group is welcome. It is an important part of the clause. My worry relates to subsection (1)(a), which requires that a company
“ceases to carry on a trade in relation to a qualifying film”
before the losses can be passed on. I should welcome the Economic Secretary’s view on the situation in which receipts continue to come in over months or years afterwards. As we have discussed, some of the income that falls within schedule 4 may come in at much later stages, unexpectedly. It would be useful to have a point at which the terminal loss regime can kick in, despite the outside possibility that revenue may be received for the film in an unexpected way in the future. Will the possibility of delayed receipts preclude the possibility of the loss being passed on? I welcome the Minister’s clarification.
Ed Balls: I shall explain the purpose of clause 45, and then discuss the amendments. The clause allows the unrealised losses that will be available to a qualifying film in one trade to be handed to another qualifying film, when it is no longer possible to utilise them in relation to the original film. It will encourage films to be made and rights held together in a company or within a group. If a film production company chooses not to surrender losses for film tax credits, it will make use of the film tax relief by setting the losses created by the additional deductions against income from other films that it produces, reducing the tax that it has to pay on real profits.
If, and when, the trade ceases because the film is sold or is no longer capable of exploitation, it is possible that there will be unrealised film tax relief. If nothing were to be done, those reliefs would be stranded or lost for ever. One purpose of this chapter is to ensure that we not only support individual British films, but encourage individual British film makers to make slates of films: to implement a strategy for a series of films over time—even avante-garde films—and to use their losses appropriately.
One of the aims of the relief is to encourage films to be held as a slate, where risk and reward is pooled by producing and holding films at different stages, so that films that make losses can be balanced against those that are profitable. Under clause 45, when a qualifying film produced by a film production company is sold or ceases to be exploitable—that is, when the trade cases—and there are losses that could have been carried forward, they can be passed on. But it is important that the losses that would otherwise be stranded are passed on only in a way that recognises the purpose of the chapter, which is to support British films and thus meet our sustainability objective.
The terminal losses can be passed to another trade within the company, or to another company in the group only if that company is making another qualifying British film. It will not be enough to buy in rights to provide income against which to set the losses or to make any old film that will make a profit. In their original setting, the losses could only be set against the income of a British film so, in the trade that acquires them, the losses are similarly restricted in their use.
Although the drafting of amendments Nos. 36 to 38 is not quite right in that it would remove a reference to schedule 4 at the end of clause 45(6), it is clear that the intent of those amendments is to remove the requirement that, for terminal loss relief to apply, a film must be qualifying film. It should be clear to the Committee, on the basis of my remarks so far, that that is not acceptable to us. The terminal loss relief is part of a balanced package designed to encourage the British cinema and film industry. That is why it is restricted to films that qualify for the new relief in schedule 5.
On that basis, I urge the Committee to reject the amendment.
2.45 pm
Mrs. Villiers: I am grateful for the Economic Secretary’s comments. I am disappointed that he was not sympathetic to the amendments. However, as I do not feel that it would be productive to press it to a vote, I beg to ask leave to withdraw the amendment.
Amendment, by leave, withdrawn.
Clause 45 ordered to stand part of the Bill.

Clause 46

Films: withdrawal of existing reliefs (corporation tax)
Mrs. Villiers: I shall not move amendments Nos. 48 to 52, because they are consequential to an amendment that has already been discussed and withdrawn, so it would not be productive for the Committee to consider these matters again.
Clauses 46 to 53 ordered to stand part of the Bill.

Clause 54

Transactions with substantial donors
Mr. Paul Goodman (Wycombe) (Con): I beg to move amendment No. 77, in page 38, line 34 [Vol I], at end insert
‘at a rate that is less than an arm's length rate'.
The Chairman: With this it will be convenient to discuss the following: Amendment No. 78, in page 38, line 35 [Vol I], at end insert
‘at a rate that is less than an arm's length rate'.
Amendment No. 79, in page 38, line 36 [Vol I], at end insert
‘at a rate that is less than an arm's length rate'.
Amendment No. 80, in page 38, line 37 [Vol I], at end insert
‘at a rate that is less than an arm's length rate'.
Amendment No. 81, in page 38, line 39 [Vol I], at end insert
‘at a value that differs from market value so that the charity is disadvantaged by the transaction'.
Amendment No. 82, in page 39, line 3 [Vol I], after ‘investment', insert
‘other than a Qualifying Investment for the purposes of Schedule 20 of ICTA 1988'.
Amendment No. 83, in page 39 [Vol I], leave out lines 15 to 17.
Amendment No. 84, in page 39 [Vol I], leave out lines 18 to 23.
Amendment No. 85, in page 39, line 26 [Vol I], after ‘remuneration', insert
‘unless it is paid either under a contract of employment at a rate not exceeding an arm's length rate or'.
Amendment No. 86, in page 39 [Vol I], leave out lines 37 and 38.
Amendment No. 87, in page 40, line 9 [Vol I], leave out
‘on a recognised stock exchange'
and insert
‘or admitted to trading on any market which from time to time appears on the most-recently updated list of regulated markets as published by the European Commission under Acticle 16 of Directive 93/22/EEC (OJL 141, 11.6.1993) or Article 47 of Directive 2004/39/EC (OJL 145, 30.4.2004) together with securities admitted to trading on the Alternative Investment Market of the London Stock Exchange PLC; or is a Qualifying Investment for the purposes of Schedule 20 of ICTA 1988'.
Government amendment No. 62.
Amendment No. 88, in page 40, line 23 [Vol I], leave out ‘which is wholly' and insert
‘of which 50 per cent. or more of the shares is'.
Government amendment No. 63.
Amendment No. 89, in page 41 [Vol I], leave out lines 1 to 6 and insert—
‘(4) Subsection 3 of section 506A shall not apply to any transaction to which subsection 4 applies.'.
Amendment No. 90, in page 41, line 28 [Vol I], at end insert—
‘(10) Where a person who considers that subsection 3 or 4 of Section 506A above may apply to any transaction or proposed transaction, supplies to the inspector to whom he makes his return of income written particulars of the transaction or proposed transaction—
(a) the inspector shall, within 30 days from his receipt of the particulars, notify that person whether or not he is satisfied that, in the circumstances as described in the particulars, the transaction would not be chargeable to tax on that person under this section; and
(b) if the inspector notifies that person that he is so satisfied, the transaction shall not be chargeable on that person under this section.
(11) If the particulars given under this section with respect to the transaction are not such as to make full and accurate disclosure of all facts and considerations relating thereto which are material to be known to the inspector, any notification given by the inspector under subsection (10) above shall be void.'.
Amendment No. 91, in page 41, line 31 [Vol I], leave out
‘by reference to gifts made at any time'
and insert
‘only by reference to gifts made on or after that date'.
 
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